Thursday, February 7, 2013
Five SAQA Artists Open at Architectural Center
Labels:
Diane Born,
Elaine Millar,
Georgia French,
Gwen Quinn Corum,
Hilde Morin
Updates from Central Oregon SAQA Parlor Group
The Central Oregon Parlor Group met on Feb. 1 at Atelier 6000 in Bend which is a printing studio/gallery/workshop. Judy Hoiness, artist/educator talked with us about composition focusing on balance.....balance of line, shape, value, color, texture, direction....it was a wonderful meeting and her experience as an educator at Central Oregon Community College really came through. She then critiqued several of our pieces and we learned about new ways to look at our work.
Then two of our members Donna Rice and Barbara Bogges shared the calligraphy printing technique and talked about coming to A6000 in groups to print. There was a lot of interest in pursuing this. On March 15 we will have a work day at the Stitchin’ Post in Sisters and bring a potluck dish. We would like to have pieces mocked up and work on critiquing practicing what Judy laid out for us.
We are in the process of gathering up quilts to be shown at Expo this fall “A Central Oregon showing of SAQA quilt member quilts”.
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www.stitchinpost.com
Jean Wells
The Stitchin' Post
311 W. Cascade/PO Box 280
Sisters, OR 97759
541-549-6061
Saturday, February 2, 2013
State of Diversity II opens at Grapevine Gallery, Oregon City
Friday, February 1, 2013
Jeannette DeNicolis Meyer Reports Local Corporate Commission and Upcoming Exhibit
Boones Landing Dental Center purchased four quilts for its new office in Wilsonville from Jeannette DeNicolis Meyer. They are on view throughout the suite, from the reception area to the dental bays.
Essential Maps 6
Jeannette DeNicolis Meyer
Photo by Bill Bachhuber
More of her work will be on view at the Latimer Quilt and Textile Center from March 5 to May 4. The opening reception for Jeannette DeNicolis Meyer's exhibit, If This, Then That, is scheduled for March 10, 2013. Meyer's career has been fed by two creative streams: her studio work and her teaching, and this retrospective exhibit explores the If This, Then That decision-making process that structures her studio and classroom lives. Concept to image, image to design decisions, design decisions to choices of materials and material choices to construction decisions, each IF leads eventually to a THAT. This seemingly linear process branches into webs of possibilities as each If yields multiple choices of That; each That births a number of brand new Ifs. By inviting the viewer to share her design process --with sketches of works in progress, the dyed fabric essential to the work she makes, and finally, finished quilts from a number of her ongoing series—this exhibit aims to create both a classroom and an art gallery.
Essential Maps 6, detail
Jeannette DeNicolis Meyer
Photo by Bill Bachhuber
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